GIOTTO di Bondone
Italian Early Renaissance Painter, 1267-1337 Italian painter and designer. In his own time and place he had an unrivalled reputation as the best painter and as an innovator, superior to all his predecessors, and he became the first post-Classical artist whose fame extended beyond his lifetime and native city. This was partly the consequence of the rich literary culture of two of the cities where he worked, Padua and Florence. Writing on art in Florence was pioneered by gifted authors and, although not quite art criticism, it involved the comparison of local artists in terms of quality. The most famous single appreciation is found in Dante's verses (Purgatory x) of 1315 or earlier. Exemplifying the transience of fame, first with poets and manuscript illuminators, Dante then remarked that the fame of Cimabue, who had supposed himself to be the leader in painting, had now been displaced by Giotto. Ironically, this text was one factor that forestalled the similar eclipse of Giotto's fame, which was clearly implied by the poet.
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GIOTTO di Bondone Crucifixion oil painting


Crucifixion
mk86 1303-1305 Fresco Padua Arena Chapel
Painting ID::  33298 		GIOTTO di Bondone
Crucifixion
mk86 1303-1305 Fresco Padua Arena Chapel
   
   
     
GIOTTO di Bondone The Marriage Procession of the Virgin oil painting


The Marriage Procession of the Virgin
mk86 1303-1305 Fresco
Painting ID::  33299 		GIOTTO di Bondone
The Marriage Procession of the Virgin
mk86 1303-1305 Fresco
   
   
     
GIOTTO di Bondone Enthroned Madonna with Saints oil painting


Enthroned Madonna with Saints
mk86 c.1305-1310 Tempera on wood 325x204cm Florence,Galleria degli Uffizi
Painting ID::  33308 		GIOTTO di Bondone
Enthroned Madonna with Saints
mk86 c.1305-1310 Tempera on wood 325x204cm Florence,Galleria degli Uffizi
   
   
     
GIOTTO di Bondone Joachim Takes Refuge in the Wilderness oil painting


Joachim Takes Refuge in the Wilderness
mk86 c.1303-1305 Fresco. c.185x200cm Padua,Arena Chapel
Painting ID::  33309 		GIOTTO di Bondone
Joachim Takes Refuge in the Wilderness
mk86 c.1303-1305 Fresco. c.185x200cm Padua,Arena Chapel
   
   
     
GIOTTO di Bondone Anna and Joachim Meet at the Golden Gate oil painting


Anna and Joachim Meet at the Golden Gate
mk86 1303-1305 Fresco, c.185x200cm Padua,Arena Chapel
Painting ID::  33310 		GIOTTO di Bondone
Anna and Joachim Meet at the Golden Gate
mk86 1303-1305 Fresco, c.185x200cm Padua,Arena Chapel
   
   
     
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     GIOTTO di Bondone
     Italian Early Renaissance Painter, 1267-1337 Italian painter and designer. In his own time and place he had an unrivalled reputation as the best painter and as an innovator, superior to all his predecessors, and he became the first post-Classical artist whose fame extended beyond his lifetime and native city. This was partly the consequence of the rich literary culture of two of the cities where he worked, Padua and Florence. Writing on art in Florence was pioneered by gifted authors and, although not quite art criticism, it involved the comparison of local artists in terms of quality. The most famous single appreciation is found in Dante's verses (Purgatory x) of 1315 or earlier. Exemplifying the transience of fame, first with poets and manuscript illuminators, Dante then remarked that the fame of Cimabue, who had supposed himself to be the leader in painting, had now been displaced by Giotto. Ironically, this text was one factor that forestalled the similar eclipse of Giotto's fame, which was clearly implied by the poet.

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